School of Music Visiting Artist Series
Having started out playing guitar at the age of 12, Susan Alcorn quickly immersed herself in folk music, blues and the pop music of the 1960s. A chance encounter with blues musician Muddy Waters steered her towards playing slide guitar. Soon, she began to combine the techniques of country-western pedal steel with her own extended techniques to form a personal style influenced by free jazz, avant-garde classical music, Indian ragas, Indigenous traditions, and various folk musics of the world. By the early 1990s her music began to show an influence of the holistic and feminist “deep listening” philosophies of Pauline Oliveros. The UK's Guardian describes her music as “beautiful, glassy and liquid, however far she strays from pulse and conventional harmony.
Since his emergence on the west coast in the late 1970s, Evander Music founder and saxophonist Phillip Greenlief has achieved international critical acclaim for his recordings and performances with musicians and composers in the post-jazz continuum as well as new music innovators and virtuosic improvisers. He has performed and recorded with Fred Frith, Meredith Monk, Nels Cline, and They Might Be Giants; albums include THAT OVERT DESIRE OF OBJECT with Joelle Leandre, and ALL AT ONCE with FPR (Frank Gratkowski, Jon Raskin, Phillip Greenlief). Recent residencies have included Headlands Center for the Arts and from 2012 to 2014 he was the curator at Berkeley Arts, a home for progressive music. He is the recipient of a San Francisco Bay Guardian Goldie Award.
Part of the Performer-Composer Forum