School of Music Visiting Artist
Inigo Wilkins is the author of the pioneering critical work Irreversible Noise (Urbanomic, 2018). He took his masters in Sonic Culture at the University of East London, and completed his doctorate in Cultural Studies at Goldsmiths, University of London in 2016. He is a co director of Glass Bead, a research platform and journal concerned with transfers of knowledge across art, science and philosophy, as well as with their practical and political dimensions. His other publications include “Interfacey McInterface Face’, Litteraria Pragensia 2017; “The Sharpest Point of Sensation is Pointless” in a booklet accompanying an LP by musician Eric Frye entitled ‘On Small Differences in Sensation’, 2016; Destructive Destruction: An Ecological Study of High Frequency Trading’ first published in Mute magazine, 2013. An extended version of Destructive Destruction” was published in HFT Review, February 2013, in the Journal of Sustainable Finance and Investment in 2014, and in ‘Plants, Androids and Operators: A Post Media Handbook’ published by PL Books, 2014.