sound files
flash movies All material on this page is made publically available under a creative commons non-commercial license: unrestricted download, copying, redistribution is permitted by the author for non-commercial artistic and educational purposes. Commercial use without explicit permission of the author is not permitted. Rights to these scores have not been transferred to a third-party collecting agency, and the author encourages performers of his work not to pay any fees to such agencies unless compelled to do so by law.
| RECENT ... | |||||||||
| top solos duos ensemble music-theater video writing | |||||||||
| 2nd WAKE (for Bob) (2009) | Fokker Organ in 31-tone temperament (2 versions) |
11' | ![]() ![]() |
||||||
| Cucumber Serenades (2009) (Gurkenlieder) |
solo violin, violin choir electronics |
30' | ![]() |
||||||
| November 15, 1935 - Leaving Santa Barbara (2007) based on a sketch by Harry Partch |
solo male Intoning Voice and Violin with spoken voice aside |
5' | ![]() |
||||||
| Father’s suit and watch (2009) Marc Sabat / Lorenzo Pompa based upon the song “House Carpenter” by Clarence Ashley |
live video ballet in ten tableaux with Prologue, Entr’acte and Epilogue >> watch a short trailer |
54' 4'20" |
![]() ![]() |
||||||
| an interview by Daniel Vezza (2009) | |||||||||
| a broadcast about my music by Matthias Entress |
DeutschlandRadio 29 April 2008 |
56'32" | ![]() |
||||||
| short video documentations : |
|||||||||
| wave piano scenery player | 6'00" | ![]() |
|||||||
| AUTOMAT | 3'52" | ![]() |
|||||||
| Magister Zacharias | 3'40" | ![]() |
|||||||
| reminded again | 4'13" | ![]() |
|||||||
| Wonderful Scatter | 5'27" | ![]() |
|||||||
| Change in your pocket | 2'32" | ![]() |
|||||||
| SOLOS | |||||||||
| top solos duos ensemble music-theater video writing | |||||||||
| Erbsen (2009) | recorders and prerecorded track | 10' | ![]() |
||||||
| 1. Tarantella | ![]() |
||||||||
| 2. Saraband | ![]() |
||||||||
| 3. Menuet | ![]() |
||||||||
| 4. Ricercar | ![]() |
||||||||
| 5. Anglaise | ![]() |
||||||||
| 6. Courante | ![]() |
||||||||
| Hairy Hippy Happy #2a (2008) computer intonation |
sampled and filtered Indian sruti box |
11'45" | ![]() |
||||||
| eudaimonia (2009) composed jointly with Stefan Bartling |
piano | 3' | ![]() |
||||||
| Berlin street scenes (2008) | field recording | 10' | ![]() |
||||||
| wave piano scenery player (2007) Marc Sabat / Lorenzo Pompa |
scenery with paintings, piano, pianist, computer, loudpeakers |
18h | ![]() |
||||||
| 1. WAKE for JIM | computer-piano | 5' | ![]() |
||||||
| 2. to Damascus | live-piano | 30' | ![]() |
||||||
| November 15, 1935 - Leaving Santa Barbara (2007) based on a sketch by Harry Partch |
solo male Intoning Voice and Violin with spoken voice aside |
5' | ![]() |
||||||
| reminded again (2007) music scenery with accordion |
accordion and recorded electronic tones |
72' | ![]() |
||||||
| reminded again (2007) music scenery with harmonium |
harmonium and recorded electronic tones |
72' | ![]() |
||||||
| Wonderful Scatter (2005) music scenery with tuba |
6-valve F tuba with valve-sensors computer and loudspeaker |
104' | ![]() |
||||||
| from Les Duresses: a book of music in Just intonation (2004) |
![]() |
||||||||
| 1. Intonation after Morton Feldman #1 | violin | circa 10' | ![]() |
||||||
| 2. Intonation after Morton Feldman #2 | violin | circa 10' | ![]() |
||||||
| 3. Two Commas | violin | circa 10' | |||||||
| Artificial Music for Machines (2002) | MIDI-output acoustic piano with live computer generated tuned sinewaves |
11' | ![]() |
||||||
| John Jenkins (2001) | 2 manual harpsichord in Helmholtz Tuning | 15' | ![]() |
||||||
| 4 piano inventions (1999) | piano | 9' | ![]() |
||||||
| 1. | ![]() |
||||||||
| 2. | ![]() |
||||||||
| 3. | ![]() |
||||||||
| 4. | ![]() |
||||||||
| For Magister Zacharias (1997) | amplified Steinway piano mechanism | 10' | ![]() |
||||||
| for solo voice (1997) | soprano | 8' | ![]() |
||||||
| Change in your pocket (1997) | amplified bowed string instrument and delay |
12' | ![]() |
||||||
| Nocturne (1996) | piano | 7' | ![]() |
||||||
| 2 piano studies (1995) | piano | 9' | ![]() |
||||||
| DUOS | |||||||||
| top solos duos ensemble music-theater video writing | |||||||||
| in the valley (2008) (for Stefan and Säde) |
violin and voice | 1'05" | ![]() |
||||||
| Claudius Ptolemy (2008) | violin and cello | 4' | ![]() |
||||||
| wave piano scenery player (2007) Marc Sabat / Lorenzo Pompa |
scenery with paintings, piano, pianist, computer, loudpeakers |
18h | ![]() |
||||||
| 3. wave scenery | duo for computer and pianist | 17h 30' | ![]() |
||||||
| WAKE for JIM (2007) | pianist and player-piano | 5' | ![]() |
||||||
| reminded again (2007) | 2 harmoniums in unison and recorded electronic tones |
72' | |||||||
| from Les Duresses: a book of music in Just intonation (2004) |
![]() |
||||||||
| 4. Duas Quintas | 2 violins | circa 15' | ![]() |
||||||
| YOU MAY NOT WANT TO BE HERE (after Bruce Nauman) (2000) composed jointly with Matteo Fargion |
recorded voices, prepared piano, electric and/or acoustic violins |
31' | ![]() |
||||||
| Composition for trumpet and bass drum (1996) | high trumpet and bass drum | 3' | ![]() |
||||||
| 3 Chorales for Harry Partch (1993) | retuned violin and viola | 6' | ![]() |
||||||
| ENSEMBLE | |||||||||
| top solos duos ensemble music-theater video writing | |||||||||
| Cucumber Serenades (2009) (Gurkenlieder) |
solo violin, violin choir electronics |
30' | ![]() |
||||||
| Garden Songs (2009) music about a text by Wolfgang Betke |
dobro, alto flute, percussion, prerecorded voice track |
9' | ![]() |
||||||
| Erbsen (2009) | recorders and prerecorded track | 10' | ![]() |
||||||
| 1. Tarantella | ![]() |
||||||||
| 2. Saraband | ![]() |
||||||||
| 3. Menuet | ![]() |
||||||||
| 4. Ricercar | ![]() |
||||||||
| 5. Anglaise | ![]() |
||||||||
| 6. Courante | ![]() |
||||||||
| De profundis clamavi ad te, Domine (2008) | viola, adapted viola, cello each player also singing |
circa 6' | |||||||
| reminded of charlemagne palestine (2007) | violin, cello, piano | 25' | ![]() |
||||||
| Hairy Hippy Happy #2 (2006) | double horn, tenorbass trombone, F-tuba | 12' | ![]() |
||||||
| Hairy Hippy Happy #1 (2006) music scenery |
double horn, tenorbass trombone, F-tuba | open | |||||||
| Spectral Canon No. 1 (for James Tenney) (2005) |
12 contrabasses | 10' | ![]() |
||||||
| Henrys Cowbell DJ & Strike (2004) music scenery |
5 percussionists and computer- generated electronic tones |
45' | |||||||
| John Jenkins (2003) | violin, adapted viola, cello, 2 manual harpsichord in Helmholtz Tuning |
15' | ![]() |
||||||
| John Jenkins (2001) | 6 instruments (open), 2 manual harpsichord in Helmholtz Tuning |
15' | ![]() |
||||||
| Johann Sebastian Bach RICERCAR Musikalisches Opfer 1 (2001) (2001) composed jointly with Wolfgang von Schweinitz |
3 instruments (open), optional voices and computer sounds |
open | ![]() |
||||||
| ‘Hope’ (2000) text : Philostratus (the elder) English translation : Christian Wolff |
male and female voices, bass flute, clarinet, violin, viola, cello, piano |
8' | ![]() |
||||||
| Idyllily (2000) composed jointly with Martin Arnold, John Oswald, Richard Wagner |
11 solo strings and optional voices | 13' | ![]() |
||||||
| Backyard summer patio (1999) | bass clarinet, percussion, piano | 9' | ![]() |
||||||
| Three Fleshy Loves (1998) | clarinet/bass clarinet, violin, cello, piano | 19' | ![]() |
||||||
| #1 | ![]() |
||||||||
| #2 | ![]() |
||||||||
| #3 | ![]() |
||||||||
| Everlasting sweet peas (1998) | 3 violins | 10' | ![]() |
||||||
| 1. Tarantella | ![]() |
||||||||
| 2. Saraband | ![]() |
||||||||
| 3. Menuet | ![]() |
||||||||
| 4. Ricercar | ![]() |
||||||||
| 5. Anglaise | ![]() |
||||||||
| 6. Courante | ![]() |
||||||||
| Ein modernes Kaufhaus (1998) | clarinet, trombone, cello, muted piano | 11' | ![]() |
||||||
| 1. Swabian Queen | ![]() |
||||||||
| 2. Rathaus | ![]() |
||||||||
| 3. König X | ![]() |
||||||||
| Trio for piano violin cello (1998) tuned in Just Intonation |
17' | ![]() |
|||||||
| You & Mr Mason (1997) | 11 piano players no previous experience required |
10' | ![]() |
||||||
| Mein Mantel ist weg (1997) | piano, amplified clavichord, violin, soprano/alto sax, whistling, electric bass |
10' | ![]() |
||||||
| Quiet Winter (1996) | violin solo and ensemble | 20' | ![]() |
||||||
| pier (1996) composed jointly with John Oswald |
ship’s horns | 5' | ![]() |
||||||
| Beautiful city (1994) | string quartet | 10' | ![]() |
||||||
| MUSIC-THEATER | |||||||||
| top solos duos ensemble music-theater video writing | |||||||||
| Father’s suit and watch (2009) Marc Sabat / Lorenzo Pompa based upon the song “House Carpenter” by Clarence Ashley |
video ballet in ten tableaux with Prologue, Entr’acte and Epilogue |
54' | ![]() |
||||||
| New shoes, without laces (1998) text / video : Nicolás Fernández |
female voice, accordion, violin, cello, percussion |
23' | ![]() |
||||||
| An Opera (1997) based on a text by Emmett Williams composed jointly with Matteo Fargion |
male and female voices, violin and marimba (or clavichord) |
3h 15' | |||||||
| VIDEO | |||||||||
| top solos duos ensemble music-theater video writing | |||||||||
| Father’s suit and watch (2006/8) music : Marc Sabat video : Lorenzo Pompa remix : Michael Hynes |
video ballet | 51'39" | |||||||
| AUTOMAT (1999/2007) music : Marc Sabat video : Peter Sabat |
music scenery for 2 violins video and field recording |
14' | ![]() |
||||||
| Three for Magister Zacharias (1997/2002) music : Marc Sabat video : Peter Sabat |
videotaped performance at Skywalker Sound, Marin County California |
25' | ![]() |
||||||
| Change in your pocket (1997/2002) music : Marc Sabat video : Nicolás Fernández DVD realization : Peter Sabat |
videotaped performance at Akademie Schloss Solitude, Stuttgart |
12' | ![]() |
||||||
| WRITING | |||||||||
| top solos duos ensemble music-theater video writing | |||||||||
| The Helmholtz-Ellis Font (2008) cross-platform Unicode font for microtonal JI accidentals |
zip archive | ||||||||
| 31-Limit Helmholtz-Ellis Calculator (2008) accidentals and ratios to cents parser for microtonal MIDI playback |
cross-platform MaxMSP package: zip archive (coming soon!) |
||||||||
| Micromaelodeon I (2008) self-tuning 3-voice synthesizer |
cross-platform MaxMSP package: zip archive (coming soon!) |
||||||||
| An algorithm for real-time harmonic microtuning (2008) |
paper presented at the congress on Sound and Music Computing |
10 pages | |||||||
| Three Crystal Growth Algorithms in 23-limit constrained Harmonic Space (2007) based on an article by James Tenney |
published in MusikTexte 112 and in Contemporary Music Review (vol 27 part I 2008) |
26 pages | |||||||
| Towards an Expanded Definition of Consonance: Tuneable Intervals on Horn, Tuba and Trombone (2006) |
Marc Sabat & Robin Hayward | 50 pages | |||||||
| Double Horn in Bb and F: tuning in Just Intonation (2005) |
11 pages | ||||||||
| Natural Harmonics on Cello and Violin (2005) | 4 pages | ||||||||
| The Extended Helmholtz Ellis JI Pitch Notation English text (2005) Deutsche Fassung : Natalie Pfeiffer |
22 pages | ||||||||
| Helmholtz Ellis JI Pitch Notation Legend (2005) version with accidentals up to 23-limit |
Marc Sabat & Wolfgang von Schweinitz | 2 pages | |||||||
| Johann Sebastian Bach RICERCAR Musikalisches Opfer 1 INTONATION : an experimental application of Extended Rational Tuning (2003) |
16 pages | ||||||||
| top solos duos ensemble music-theater video writing |