| Douglas C. Wadle : compositions and research biography catalog (pdf) contact |
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CONCERT WORKS
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Systema (Cognitive Disjunction, proper) (2008)
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violin, viola, cello | 10' |
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Cloister Walk, No. 2 (2008)
realization, February 2008 |
trombone quartet | 10' |
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Cognitive Congruence (2007)
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violin, viola, cello | 25' | ||
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Cognitive Disjunction (2006)
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violin, viola, cello | 30'/45' |
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Logos prior Logos, No. 4 (2005)
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variable ensemble | variable |
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Logos prior Logos, No. 3 (2005)
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flute, english horn, clarinet, horn, bassoon | 70' |
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Amphiboly, Three Realizations (2005)
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guitar duo | 15' | ||
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Limburger Skunk (2004)
for Jonathan Piper  |
2 alto saxophones,
2 tenor saxophones,
trumpet, 2 trombones, tuba, percussion |
12' |
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Invention in Three Parts (2004)
performance installation |
toy piano with optional cello and mixing console | variable |
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Edit (2004)
for Don Nichols |
speaking voice and mixing console | 15' |
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Insomnambulations:
Preachin' Aphasia (2003) |
trombone/voice solo | 12' |
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Incarceration (2002)
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guitar solo | 10' |
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brief sketch (2002)
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cello duo | 6' | ||
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A Winter's Walk in the Cloisters (2002)
(Cloister Walk, No. 1) |
trombone duo | variable | ||
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DANCE / THEATER
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The Key Game (2008)
sound-score for dance/theater work choreographed by Kristen Smiarowski |
sound collage | 22' | ||
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Turtles All the Way Down (2007)
improvisational dance/theater work directed by Simone Forti |
trombone, voice, text, small sounds | 100' |
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The Bachae (2006)
text: Euripides, trans. C.K. Williams directed by Mira Kingsley |
voices, amplified mandolin | 150' | ||
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101 (2006)
improvisational dance/theater work directed by Simone Forti |
trombone, voice, text, small sounds | 100' | ||
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Unbuttoned Sleeves (2005)
improvisational dance/theater work directed by Simone Forti |
trombone, voice, vinyl hose | 45' | ||
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Duet a Trio (2003)
performance piece for dancer and trombonist created with Kristen Smiarowski, choreographer |
trombone, voices | 15' | ||
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Wall (2003)
accompaniment for site-specific dance choreographed by Kristen Smiarowski |
accordion, viola, cello | 100' | ||
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TEXT PIECES
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| Logos prior Logos, No. 6 (2007) | speaking voice | 8' |
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Logos prior Logos, No. 5 (2006)
on the ethical obligations of the individual in society |
audience | variable | ||
| Echo Narcissus (2006) | reader | variable | ||
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Solipsistic Self-Serenade (2004)
a meditation (for Jacky & Jonathan) |
variable | |||
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VIDEO
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Cognitive Disjunction (2007)
music : Douglas C. :Wadle image : Madison Brookshire sound & video editing : Marc Sabat |
video loop | 128' | ||
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Fasteners (2004)
music : Douglas C. :Wadle video : Marianne Kim |
dance video | 18' | ||
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VISUAL ART SCORES
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Cloister Walk, No. 2 (2007)
ink and graphite on paper |
ur-score for creation of performance
installations for trombone quartet |
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Logos prior Logos (2005)
oil on canvas, score for performance |
ur-score for creation of individual realizations
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Amphiboly (2004)
acrylic on canvas, variable duration |
ur-score for creation of individual realizations
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RESEARCH
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Playing on the Murky Level: a Philosophical Foundation for the Study of Meaning in and through Experimental Music (2004) presented at the annual meeting of the Society for Ethnomusicology, November 2004 in Tucson Arizona |
English text |
13 pages |
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PUBLISHERS
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Beyond Baroque Books 681 Venice Boulevard Venice, California 90291 Tel. +1 (310) 822-3006 www.beyondbaroque.org/bbbooks |
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Mark Batty Publisher 36 West 37th Street, Penthouse New York, NY 10018 Tel. +1 (201) 453-1775, Fax. +1 (917) 591-4144 www.markbattypublisher.com |
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Plainsound Music Edition c/o Douglas C. Wadle 10825 Rose Avenue, No. 205 Los Angeles, California 90034 Tel. +1 (310) 948-0698 www.plainsound.org |
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