A SAMPLING OF TEXTS BY OTHER AUTHORS IN WHICH ROSENBOOM'S WORK APPEARS

Cope, D. (1971 and several subsequent editions). New directions in music. Dubuque, IA: Wm. C. Brown Pub.

Grayson, J. (1971). Re–Search, vol. 4. Duncan, B.C.: Center for Gestalt Learning.

Hunter, R. (1971). The Storming of the Mind: Inside the Consciousness Revolution. Garden City, NY: Doubleday & Co. Inc.

Vinton, J. (Ed.). (from 1971 edition on). Dictionary of contemporary music. New York: E.P. Dutton & Co., Inc.

Slonimsky, N. (from 1972 revised edition on). Bakers Biographical Dictionary of Musicians. New York: G. Schrimer, Inc.

Karlins, M. & Andrews, L.M. (1972). Biofeedback: turing on the power of your mind. New York: J.B. Lippincott Pub., Warner Books.

Lawrence, J. (1972). Alpha brains. New York: Avon Books.

Lincoln, H.B. (1972). Advances in computers. New York: Academic Press.

Wilson, H.R., et. al. (1972). Growing with music, vol. 8. Englewood Cliffs, NJ: Prentice–Hall, Inc.

Ferguson, M. (1973). The brain revolution. New York: Taplinger Pub.

Trythall, G. (1973). Principles and practice of electronic music. New York: Grosset & Dunlop Pub.

Buchla, D., (1974). Entry on electronic music in Whole Earth epilogue. Sausalito, CA: Point.

Malina, F. (1974). Kinetic art: theory and practice. (1974). New York: Dover.

Nyman, M. (1974). Experimental music: Cage and beyond. (1974). London: Cassell & Collier MacMillan Pub.

Appleton, J.H. & Perera, R.C. (1975). The development and practice of electronic music. Englewood Cliffs, NJ: Prentice–Hall Inc.

Grayson, J. (1975). Sound sculpture. Vancouver: Aesthetic Research Centre of Canada.

Reynolds, R. (1975). Mind models, new forms of musical experience. New York: Praeger.

Anderson, R. (1976 & 1982). Contemporary American composers: a biographical dictionary. Boston: G.K. Hall & Co.

Cope, D. (1977). New music composition. New York: Schirmer Books.

Encyclopedia of music in Canada. (1978). Ottawa; National Library.

McKay, A. (1979). Electronic music. Oxford: Phaidon.

Lucier, A. (1980). Chambers. Middletown, CT: Wesleyan University Press.

Pellegrino, R. (1983). Electronic arts of sound and light. New York: Van Nostrand Reinhold.

Peterson, D. (1983). Genesis II: creation and recreation with computers. Reston, VA: Reston Publishing Co.

Strange, A. (1983 second edition). Electronic music. Dubuque, IA: W.C. Brown Pub.

Boom, M. (1987). Music through MIDI. Redmond, WA: Microsoft Press.

Schaefer, J. (1987). New sounds, a listener's guide to new music. New York: Harper & Row, Pub.

Davis, D.S. (1988). Computer applications in music, a bibliography. The computer music and digital audio series, 4. Madison, WI: A–R Editions, Inc.

Mathews, M.V. & Pierce, J.R. (Eds.). (1989) Current directions in computer music research. Cambridge, MA: The MIT Press.

Roads, C. (Ed.). (1989). The music machine, selected readings from the Computer Music Journal. Cambridge, MA: The MIT Press.

Schrader, B. (1991). Live/electro–acoustic music – a perspective from history and California. Contemporary Music Review, 6,1. Reading, UK: Harwood Academic Publishers.

Harris, C. (ed.). (1993). The Leonardo almanac, international resources in art, science, and technology. Cambridge, MA: The MIT Press.

Chadabe, J. (1996). Electric Sound: the past and promise of electronic music. New York: Prentice Hall.

Gann, K. (1997). American music in the Twentieth Century. New York: Schirmer Books.

Zorn, J. (ed.). (2000). Arcana, musicians on music. New York: Granary Books/Hips Road.

Cseres, J. (2001). Hudobné simulacrá. Bratislava, Slovakia: Vydalo Hudobné Centrum, Music Centre Slovakia.

Strange, P. & Strange, A. (2001) The contemporary violin. Berkeley, CA: University of California Press.

Who's who. Rosenboom biographies appear in several international dictionaries and anthologies.

Groves Dictionary of Music and Musicians. Oxford, UK: Oxford University Press.

Cleve, L. van. Book on extended oboe technique, (not final title). In press.