Suitable for Framing: Forms of Freedom for Two Pianos and Mrdangam, contains: Patterns for London, Is Art Is (Rosenboom), and 19IV75 (Rosenboom and Floyd), guest artist, Trichy Sankaran, A.R.C. Record #ST1000, Vancouver/Toronto, 1975, LP record; [see below for 2004 re-release with new material on Mutable Music]

Light, Toronto based improvisation group with Kathy Moses, flute, Terry Clarke, drums, Rick Homme, bass, J.B. Floyd and David Rosenboom, keyboards, Bruce Pennecook, saxophones, Canadian Broadcasting Corporation recording, Toronto, 1975

Continental Divide (Rosenboom) and Chilean Drought (Rosenboom and Humbert), performed by NEXUS, Canadian Broadcasting Corporation recording, Toronto, 1976

Brainwave Music, contains: Portable Gold and Philosophers' Stones, Piano Etude I (Rosenboom), and Chilean Drought (Rosenboom and Humbert), A.R.C. Record #ST1002, Vancouver/Toronto, 1976, LP record; [see below for 2006 re-release with additional music on EM Records]

Keyboard Encounter for Two Unacquainted Pianists, with Charles McDermed, organized by Donald Buchla, Ocean Records, Composers Cassettes, Vol. I, Los Gatos, CA, 1976, cassette

On Being Invisible (soloist, brainwaves, computer assisted electronic music system), Music Gallery Editions, #MGE-4, Toronto, 1977, exerpt re-leased on Musicworks Cassette #28, 1983, Toronto and Frog Peak Music, Hanover, NH, additional excerpts re-released on sound sheet disk accompanying Computer Music Journal, Vol. 14, No. 1, Spring 1990, and CD accompanying Computer Music Journal, Vol. 30, No. 4, Winter 2006, MIT Press, LP record

The Seduction of Sapientia, performed by Peggie Sampson on, The Contemporary Viola da Gamba, Music Gallery Editions, #MGE-7, Toronto, 1977, LP record

NOTE: — Dirk Moelants, performer and musicologist from Ghent University in Belgium has created a new realization of this three-movement, 1973-74 work for viola da gamba and electronics with modern technology. Moelants recently gave the première of his new version on a concert titled Contemporary American Gamba Music in Belgium. Recordings of Dirk Moelants concert are available online at:

1. CD-quality .wav files [477MB]

2. Good quality .mp3 files [110MB]

3. Low quality .mp3 files [40MB]

Each of the .zip-files contains 6 music tracks and a .pdf files with a cover and track index.

Rosenboom and Buchla: Collaboration in Performance, contains, And Out Come the Night Ears and How Much Better if Plymouth Rock Had Landed On the Pilgrims, Frog Peak Music, Hanover, NH, 1978, LP record

J. Jasmine . . . My New Music, songs and lyrics by J. Humbert a.k.a. J. Jasmine, D. Rosenboom, and G. Manupelli, Frog Peak Music, Hanover, NH, 1978, LP record

In The Beginning: Etude II (keyboard-mallets-harps), recorded for National Public Radio program on contemporary keyboard music with J. Cage, L. Harrison, D. Rosenboom, and C. Nancarrow, produced by Eva Soltes Associates, Albany, CA, 1981

Future Travel (solo recordings with computerized electronic music system, piano, violin, percussion), contains: Station Oaxaca, Nazca Liftoff, Corona Dance, Time Arroyo, Desert Night Touch Down, Palazzo, and Nova Wind, Street Records, 1982, LP record

Music of J.B. Floyd and David Rosenboom, includes interview, recording of live performance, National Public Radio, Miami, FL, 1983

In The Beginning: Etude I (Trombones) (1979), in Rosenboom, D.(ed.): Music From Mills, 3-record anthology, Mills College, Oakland, 1986.

Roundup: A Live Electro-acoustic Retrospective (1968-1984), anthology of eight works for electronic media, including: In The Beginning I (Electronic) (1978), And Come Up Dripping (1968), Musical Intervention 1979, Zones of Influence, Part I, The Winding Of A Spring, a) The Stochastic Part, b) The Tripartite Structure (1984), Urboui, Part I, Pear Facts (1968), Musical Intervention 1982, Music For Unstable Circuits (1968) (+Drums), and Trio II (1978), Slowscan Editions, Vol. 7, 's-Hertogenbosch, Holland, and Frog Peak Music, Hanover, NH, 1987, cassette

Daytime Viewing with J. Humbert-Rosenboom, (song stories for voice, electronic orchestrations, auxiliary percussion), includes, Talk 1, Bareback, Domestic Violence, Distant Space, Talk 2, Wishes, Chez Hum-Boom Publishing, Piedmont, CA, 1983, second edition, Frog Peak Music, Hanover, NH, 1988, cassette

Systems of Judgment (1987-88), digital recording of approx. 65-minute work, computer aided instruments, violin, keyboards, variety of sound sources, CDCM Series, Vol. 4, #CRC 2077, Centaur Records, Inc., Baton Rouge, LA, and Consortium to Distribute Computer Music , Dallas, TX, 1989, CD

Study for 'ZONES' (computer aided electronic instruments), Musicworks #28, Toronto, 1984, and one.source: HMSL, Frog Peak Music, Hanover, NH, 1990, cassette

A Precipice in Time (1966), (2 percussion, piano/celeste, cello, alto saxophone, computer processing, conductor), on CDCM Series, Vol. 10, #CRC 2110: The Virtuoso in the Computer Age, Centaur Records, Inc., Baton Rouge, LA, and Consortium to Distribute Computer Music , Dallas, TX, 1991, CD

Extended Trio: Sampler (1992) (with Trichy Sankaran and Charlie Haden), on Parsons, J, (Producer): Hallways, Eleven Musicians and HMSL, FP002, Frog Peak Music, Hanover, NH, 1993, CD

Two Lines/David Rosenboom/Anthony Braxton, duets with interactive HMSL software, includes Rosenboom's Two Lines (1993)-also includes compositions in collaboration with Braxton, Lineage, Enactment, Transfiguration, and Transference (1993), LCD 3071, Lovely Music, Ltd., New York, NY, 1995, CD

Challenge, trio with Anthony Braxton, reeds; David Rosenboom, piano, electronics, violin; and William Winant, percussion; recorded excerpt from a concert by this creative music collective trio at Mills College on October 11, 1986; on Bidi, Bidi, Bidi, CD accompanying the journal Bananafish, 13, Tedium House Publications, San Francisco, 1999

Music from—On Being Invisible II (Hypatia Speaks fo Jefferson in a Dream) (1994–95) selections from the self–organizing, interactive multi–media chamber opera including: In the Beginning...Reasoned Mind; Evolution with Singular Events; Political Assertions; The Mathematics of Miscegenation; Logan's Speech; Philosophical Musings with a Sense of Reminiscing; performed by Sam Ashley, narrator; eri DeSario and Roxanne Merryfield, dream voices of Hypatia and TJ, Rosenboom, computer music system measuring auditory event–related potentials (ERPs) from the brain, DSP synthesis, and HMSL software; on Transmigration Music, Centaur Records, Inc., Consortium to Distribute Computer Music, Vol. 30, CRC 2940, , Baton Rouge, LA, 2000, CD

Invisible Gold, classics of live electronic music involving extended musical interface with the human nervous system, including Rosenboom's Portable Gold and Philosophers' Stones (1972) and On Being Invisible, Part I and Part II (1976-77), Pogus Productions, 21022-2, Chester, NY, 2000, CD

Chanteuse, Songs of a Different Sort, new song forms performed by Jacqueline Humbert, with electronic soundscapes and arrangements by David Rosenboom with others, produced by Jacqueline Humbert and David Rosenboom, includes pieces by Sam Ashley, Mosquitolove, David Rosenboom, Attunement, Joan La Barbara, Via Dolarita, street of sorrows, street of sighs, Robert Ashley, Don’t Get Your Hopes Up and Empty Words, George Manupelli, Short Subject, Jacqueline Humbert, Profile, James Tenney, Listen…!, Larry Polansky, A Pregnant Pause, Alvin Lucier, Lullaby, Gustavo Matamoros, Peace Piece, Katrina Krimsky, Grace, and Humbert and Rosenboom, Adieu and Oasis in the Air, Lovely Music Ltd., LCD 4001, New York, 2004, CD

Suitable for Framing, on April 19th, 1975, at Northern Illinois University, three musicians, David Rosenboom and J.B. Floyd, pianos, and Trichy Sankaran, South Indian percussion, met in a milestone event from which emerged a unique, improvising trio with two pianos and South Indian percussion. Fortunately, it was recorded and excerpts released on a long out of print LP. This CD recaptures the essential essence of the entire evening of musical discovery with previously unreleased music recovered from digitally reprocessed tapes recently discovered in diverse states of preservation; compositions include 19IV75 (Rosenboom and Floyd), Patterns for London (Rosenboom), Mrdangam Solo (Sankaran), Is Art Is (Rosenboom), and Suitable Bonus (various), Mutable Music, 17517-2, New York, 2004, CD

And Come Up Dripping, new realization of 1969 composition performed by Libby Van Cleve, oboe with extended techniques, and Rosenboom, digital simulation of original circuitry with Reaktor software, CD contained in the book, Van Cleve, Libby: Oboe Unbound , Scarecrow Press, Lanham, MD, 2004

Bloodier, Mean Son, album by trumpet virtuoso, Daniel Rosenboom, containing world première recordings of new works for solo trumpet , and including Zones of Coherence (2003) for solo or multiple trumpets and Music for Unstable Circuits (+Drums+Trumpet) (1968, 2004) by David Rosenboom, also other works by Daniel Rosenboom, Vinny Golia, Derrick Spiva, Jr., Michael Pisaro and Nick Didkovsky, Nine Winds Records, NWCD 0238, 2005 .

Brainwave Music (2006 Edition), historic re-release of original 1976 A.R.C. Records album by EM Records in Japan, 1054CD; Portable Gold and Philosophers' Stones (Music from Brains in Fours) (1972), Chilean Drought (1974) and Piano Etude I (Alpha) (1971) along with a new track, Four Lines (Two High) (2001). An extensive booklet is included with the CD containing program notes and photos documenting these pieces and Rosenboom's related experimental music activity, particularly emphasizing the 1970s.

Future Travel, 2007 release by New World Records, 80668-2, of digitally remastered version of historic album originally issued by Street Records in 1981. All music composed and performed by Rosenboom features the pioneering, digital keyboard instrument, Touché, from Buchla and Associates, along with piano, violin, percussion, and spoken texts. A newly edited and remastered version of And Out Come the Night Ears for piano and Buchla 300 Series Electric Music Box, is also included with material not contained in the first, 1978 release by 1750 Arch Records. The CD booklet includes an informative article by composer, Chris Brown, about the history of the music and instrumentation.

Note: This list does not represent complete recording credits, merely a list of items that should be readily available for purchase or in libraries. Many other works have been recorded for broadcast media, films, video, or in other forms not immediately accessible the general public.

Contact the composer for hard-to-obtain items.