| DESIGNED
AND/OR TAUGHT BY DAVID ROSENBOOM
from approximately 1968-1969 to the present
Electric Circus for New York University
Intermedia Workshop on Computers in the Arts
Intermedia Institute Inc., New York
A Systems Theoretical Approach to Art Media
York University, Department of Music,
Division of Interdisciplinary Studies in Fine
Arts,
Interdisciplinary University Graduate Studies;
Toronto
Sonic Imagery and Improvisation
Composition Studio I and II
Electronic Media Workshop I and II
Special Studies in Composition and Analysis
Sources of Contemporary Style
Instrumentation, Arranging and Studio Production
Introduction to the History and Literature of Electronic Music
Fundamentals of Musical Perception
Music Writing Workshop: An Introduction to Composition
Graduate Composition Seminar
Perceptual Processes in the Arts
Contemporary Media, Methods and Research I and II
A Systems Theoretical Approach to Art Media
Sound Design in Relation to Studies of Consciousness
Studies in Musical Perception (Graduate)
Interdisciplinary Honors Project and Seminar
Psychophysics and the Arts
Special Topics in Music Computation
Music Performance in Piano, Violin, Viola, Percussion,
Chamber Ensembles, Contemporary Music Ensembles,
Orchestra,
Improvisation Ensembles, Live Electronic Music
Ensembles,
Conducting, Interdisciplinary Performance Art
Ensemble
Graduate Thesis Advisor (M.F.A., M.A., Ph.D.)
Mills College, Department of Music, Oakland
Advanced Theory I and II
Research Seminar in Music Theory (Graduate)
Theoretical Foundations of Electro-acoustic Music
Score Reading and Conducting
Seminar in Electronic and Computer Music I and II (Graduate)
Selected Problems in Composition I and II (Graduate)
Individual Lesson Instruction in Piano and Composition
Selected Problems in 20th-Century Performance and Literature (Graduate)
Thesis Advisor (M.A., M.F.A.)
Seminar in Composition, Performance, and Improvisation
San Francisco Art Institute,
Humanities and Interdisciplinary Divisions,
Electronic Arts Program
Contemporary Music
Artificial Intelligence in the Arts
Interdisciplinary Colloquium/"Monday Night Lectures"
University of Illinois, School of Music, Urbana
Graduate Composition Seminar (during visiting artist residencies)
California College of Arts and Crafts, Oakland
Sound Workshop: Propositional Music
Simon Fraser University, Summer Music Intensive, Vancouver
Interactive Music Software and Composition
California Institute of the Arts, Santa Clarita, CA
Graduate Composition Seminars (various special topics)
Graduate Composition Instruction
Faculty Contemporary Ensemble,
Conductor/Director, CalArts New Century Players,
(resident professional ensemble including graduate
performers)
Advanced Interactive Music Software
Sound Design (digital signal processing and synthesis)
Advanced Interactive Languages (interactive software for music)
Seminars in Interdisciplinary Art
Piano Instruction
Improvisation Instruction
Chamber Music Coaching
Bard College, Milton Avery Graduate School of the Arts,
Annandale-On-Hudson, New York
Graduate Instruction, Music/Sound Arts
COURSE DETAILS
ARTIFICIAL INTELLIGENCE AND ART EDUCATION
July 13, 1982
Created for a course on AI ideas for artists given at the San Francisco
Art Institute. The text and class outline are presented in their original
forms, without significant updates, in order to preserve the creative
spirit of the time.
view
PDF
SOUND WORKSHOP
1988
Four sessions on the general theme: Propositional Music; an outline of
topics integrated into a course on sound for artists from all fields,
given at the California College of Arts and Crafts in 1988.
view HTML
|