The Herb Alpert School of Music at CalArts
MUSIC: A material and acoustic installation involving physics and glitter, by Mark Trayle.
CalArts, The Wild Beast
MUSIC: Minor Musics Japan Tour 2014 comes to four American cities this September featuring performances by venerated artists of Japan’s musical underground: Ché-SHIZU, Maher Shalal Hash Baz and à qui avec Gabriel. Organized by Brooklyn’s ISSUE Project Room in collaboration with Wild Beast at CALARTS, Marfa Live Arts, and the Museum of Contemporary Art Detroit, this landmark tour touches the fringes of rock and pop with a naivist bent, crossing folk, improvisation, and a gleeful embrace of the unpolished.
Friday, September 12
Wild Beast at CALARTS, Los Angeles, CA
Sunday, September 14
Marfa Live Arts, TX
Tuesday, September 16
Museum of Contemporary Art Detroit, MI
Friday, September 19 & Saturday, September 20
ISSUE Project Room, Brooklyn, NY
Featuring Chie Mukai / Keith Connolly duo
Ché-SHIZU is an improv-folk group led by Chie Mukai (向井千恵) and a shifting cast of musicians that has included Tori Kudo (Maher Shalal Hash Baz), Masami Tada, Masami Shinoda, Yuriko Mukojima, and Ikuro Takahashi among others. Chie Mukai got her start in experimental improvised performance in 1975, when she and other students of Fluxus violinist-composer Takehisa Kosugi at the Bigakko Art School of Tokyo convened as the East Bionic Symphonia. The group featured a combination of recontextualized folk instruments and electronics in spontaneous action, a motif that continues to occur in Mukai’s musical philosophy to this day. Mukai started Ché-SHIZU in 1981, and the group released their debut LP “I Can’t Promise” in 1984 on Zero Records. Ché-SHIZU’s music embraces simplicity in their compositions, led by the melodies of Mukai’s voice and erhu. The group’s naivist leanings result in a music that is lyrical, compelling, and endearingly unpolished.
Maher Shalal Hash Baz is the artistic alter ego of Tori Kudo, a Japanese composer and musician who formerly worked with Chie Mukai and Che-SHIZU. The group’s name comes from the Old Testament Book of Isaiah, and means "Hurrying to the spoil, he has made haste to the plunder." Maher Shalal Hash Baz formed when Kudo met euphonium player Hiroo Nakazaki, revealing a shared interest in the music of Mayo Thompson and Syd Barrett. The core trio consists of Tori on guitar and vocals, his wife and longtime musical collaborator Reiko Kudo as vocalist, and Nakazaki on euphonium, though the lineup has always been fluid. After a couple of self-released cassette albums, the Japanese Org label released Maher Goes To Gothic Country (1991) and the 83-track box set Return Visit to Rock Mass (1996). The group's profile expanded outside Japan when Stephen McRobbie of The Pastels signed them to his Geographic label. They have released two albums on Geographic: the compilation From a Summer to Another Summer (An Egypt to Another Egypt) (2000) and the 41-track Blues Du Jour (2003); plus a number of EPs on various labels. Kudo resists defining his gleeful, intense, naive music, which frequently features large ensembles of untrained musicians that embrace error, structure, and structurelessness.
à qui avec Gabriel is a Japanese female accordionist and vocalist. “à qui,” derived from her name, Aki, is the player, with Gabriel: her trusty accordion. à qui takes a different approach than the some of the avant-gardists, including Keiji Haino and Makoto Kawabata, who grace her albums— she gravitates toward stark, ethereal sounds and whispering melodies rather than imposing dissonance and chaos. Her stylistic palette is eclectic, drawing in shades of jaunty European folk music, the elegant minimalism of Erik Satie, and uniquely lighthearted melancholia. à qui punctuates her solo performance with meaningful silence, emphasizing the humility of the lone performer. Her debut album, “Utsuho” was released in 2001 on John Zorn’s Tzadik label. On her most recent solo album, 2010’s Itsukushimi no Ame no naka de, (Musik Atlach) she flexibly moves between pop and avant-garde sensibilities with a focused, nostalgic energy. Her following albums on Musik Atlach have found her in collaboration with varied, complementary partners including the psychedelic rock trio Majutsu no Niwa on 第五作品集Ⅱ (Fifth Works II, 2012), and Makoto Kawabata, leader of the legendary psychedelia unit Acid Mothers Temple, on Golden Tree (2012) and Ame no Tsurugi (2013). à qui also formed the trio Pneuma Hectopascal in 2004.
MUSIC: An installation of kinetic sound sculpture by Pichanan Niyomkarn in the WaveCave.
CalArts, Roy O. Disney Concert Hall
MUSIC: The Herb Alpert School of Music presents visiting artist PALO!, as part of the Jazz Forum.
PALO! performs their own brand of music they call “Afro-Cuban Funk”. Just think “jazzed-up salsa”, or better yet, listen to some of their music. The group’s unique, danceable sound blends the allure of Cuban music with funky beats and jazzy improvisation. PALO!’s catchy original songs feature the sultry vocals of Latin Grammy-nominated Leslie Cartaya and the impromptu virtuosity of legendary saxophonist Ed Calle. The scorching percussion and vocals of Philbert Armenteros and Raymer Olalde punctuate their performances with Cuban fire. Producer/pianist Steve Roitstein (Celia Cruz, Willy Chirino, Tito Puente, Cheo Feliciano, Oscar d’ Leon) fuses these elements with a foundation of edgy, unforgettable rhythms.
CalArts, The Wild Beast
MUSIC: The Herb Alpert School of Music at CalArts presents visiting artist Nadia Shpachenko, as part of the Piano Workshop.
Shpachenko is a piano faculty member California State University at Pomona. She has made festival appearances including the: International Holland Music Sessions, Aspen, Cliburn, Machester and Orford. Shpachenko earned her doctorate from the University of Southern California and studied under principal teachers: John Perry, Victor Rosenbaum and Victor Derevianko. She has been featured as a guest lecturer and artist-in-residence at Pomona College, the California Institute of the Arts, and the University of Nevada-Las Vegas. She travels to Mexico, Europe and North America (including stops at Carnegie Hall and Concertgebouw) to make solo and chamber-music ensemble performances. Shpachenko's premieres of contemporary composers include Leon Kirchner, Iannis Xenakis, Elliott Carter and Yury Ishchenko.